|
夏娃 Eve
根據聖經記載，上帝創造了第一個人類─亞當，又從亞當的身上取下一根肋骨，夏娃便誕生了。同樣地，在1881年的第一次沙龍展覽上，《亞當》的石膏像已公諸於眾，《夏娃》卻無從可考。1881年，羅丹宣布他要創作一個雕像，來「陪伴」亞當，於是那一年被認為是夏娃誕生之年。 雕像中，夏娃左臂姿勢彷彿是被西斯廷教堂壁畫《逐出樂園》中的亞當所激發，而作品的軀體部分也是根據該壁畫中夏娃形象塑造。她的形象與19世紀後期人們普遍認可的女性裸體截然不同，相反，粗糙的表面使銅像更具有力度。自我擁抱的姿勢、孕育無限生命，似乎等待綻放的一刻。代表女性無窮的力量，在柔美軀殼下寬闊的胸襟和對生命的渴望。 According to the Bible, the Lord God created the first man, Adam. Then he took a rib from Adam’s body and out of it created the first woman. Eve. Likewise, although the date of the plaster Adam is known from its exhibition in the Salon of 1881, the date of the life-size Eve is far from certain. In 1881 Rodin announced his intention to produce a companion for his Adam, and indeed 1881 has often been cited as the date for Eve. The gesture of Eve’s left arm seems to have been inspired by that of Adam in the fresco of The Expulsion from Paradise on the Sistine Chapel ceiling, and her body is related to that of Eve from the same vignette. Her from has nothing in common with the shapes of contemporary female nudes in the salon sculptures that enjoyed such popularity in the last quarter of the nineteenth century; to the contrary, the roughened surfaces in some of the passages in the bronze give a toughness to the image.
RODIN IN TAICHUNG 羅丹雕塑展 地獄門VS.愛
2007.9.22-12.22 臺中市役所
|
